The Joys of Christmas and New Years in Goa

My dad blogs from Goa:

View from my Balcao

Everyone knows that Christmas-New Year in Goa is special.

Indubitably it is the time to look out for tradition leading to the holy night when Christ was born. Goans indulge in festivities and every nook & corner of this tourist state is lit up with merriment. Goa remains at the cusp of tradition, history & belief in the divine one.

The best, and possibly the cheapest way to enjoy the festivities is to head to the beach-shacks, not the ones serving expensive taste-alikes, but to the thatched make-shift rooming that sprouts up in season and folds up thereafter when the fury of the monsoon comes roaring in. Staying at the beach allows you a hop-in hop-out of any of the many beach-front eating-shacks that dot the beaches in the North (Baga, of course, Anjuna and all the way to Morjim) and nowadays, also in the South (from Majorda to Palolem and upto Cancona).

I chose to hit the relatively less-crowded south beaches and found Cancona quite a refreshing change from the over-run, dirty, populous hip-beaches of the North. Apart from the swank seven-star luxury hotel looming over in the distance, the sea-side remains relatively private and not infested with tourists from all parts of India and the globe. Goa has remained India’s best-known destination since the swinging 60’s and continues to capture the imagination of toursts of all ages and nationalities looking for fun-in-the-sun.

But this is not what I am in Goa for. History beckons, tradition pulls and I end up in a heritage homestay in Mala-Fontainhas, the Latin-quarter of Panjim, close-by to Old Goa, the shrine of St Francis Xavier, the patron saint of Goa’s large Christian population. I decide to visit the St Monica’s Museum next to Se Cathedral in Old Goa, the 400-year old St Sebastian Chapel right in the heart of Fontainhas, climb many steps to the magnificient white-washed Panjim Church that is always lit-up at night. This apart, there is lots of carol-singing on the streets of Mala-Fontainhas that spills over to Panjim city proper.

The streets are chock-a-block as are the beaches and the highways and a place-to-rest-your-head-at-night is always at a premium, like everything else in goa during this period through the new year. Do what you will in Mumbai or Bangalore, but if you want to make the grade, you’ve got to be in Goa during the year-end scene. Its one big party that stretches from sundown right upto and past sunrise, with nary a hiccup about closure-timings and all that jazz. I notice that the Goa government goes into over-drive in cleansing away the last-night’s garbage so that the roads do not eventually disappear in the mounds of trash generated by party-hoppers. I settle down in a small beach-shack with a fiery feni and watch the dancers sway in the moonlight … nay, early-morning light !

Goa spells timelessness, merriment and wild abandon, making it the most-preferred destination at this time of the year. I choose to drift in and out of over-crowded bars, (drinking home-made local feni), many of whom have started playing Bollywood tunes to please the numerous patrons that emerge from Mumbai like a deluge, by car, by plane or even by bus or train. Everyone, but everyone, girls and ladies included, feel free to sport shorts & tees, maybe even a hat, to signify departure from the strict confines of everyday life. Their radiant faces mirror the innate wish-fulfillment of a life waiting to free itself off shackles of daily-norms. Those with a taste for intimate, may prefer to meander on the quieter stretches, not worrying about safety, which is taken for granted, barring an odd blown-out-of-proportion incident. Goa has seen its share of nudes to be stirred up by a pair of lovely legs in short-shorts and a revealing top.

City-kids have gathered in hordes, coming as they do for all-night shindigs, beach-combing, flea-markets, fun-in-the-sun. Goa opens its doors to open-minds and an all-pervasive camaradarie prevails everywhere you go.

One of the downsides of Goa at the year-end is that you do not get enough space to stay or roam freely, thanks to the perpetual jostle in public spaces. But nobody, with the exception of some of the oldies & prudes, seems to mind this metro-isation of an otherwise sleepy state of Goa. You will get to know quite easily, that the local people are fun-loving, love to mind their own business and are friendly without being intrusive. They proclaim loyalty to their beloved state, fiercely protect their Goan identity, but throw open their arms (and homes) to the tourist influx, and are happy in the realisation that tourism is a nice way of doing business and making a decent living. A sparkle in the eye, a smile on their face, its the people of Goa that make it the most exciting place to be in during Christmas and through the new year.

I’ll be back home in Goa for Christmas – thats for sure. Thank God I have a home there !!

Contact Us for a special Christmas / New Years Package…

 

Goa Carnival 2013 to be made bigger and better

Goa Tourism Minister Dilip Parulekar has announced that the Goa Tourism Ministry plans to make the Goa Carnival 2013 even bigger and better than it usually is by inviting neighbouring States such as Maharashtra, Karnataka and even Gujarat to join in the parades with their floats. 

The Goa Tourism Ministry is also planning to revive the Food and Cultural Festival during the Goa Carnival 2013 by inviting neighbouring States to participate at this festival to showcase their cuisine and culture with food stalls and programmes. While Goan cuisine will dominate the food festival, it would give Goans a taste of food from the rest of India, said Minister Parulekar.

Unlike previous years, professional event management agencies will be employed by the Goa Tourism Ministry who will conceptualise and work out the themes for the Goan and neighbouring state floats.

This is the first time that the Goan Carnival will include floats and food from outside the state. In the past, the Goan Carnival only showcased the unique food and culture of Goa. While this effort by Minister Parulekar to add other neighbouring states to the Goa Carnival 2013 will certainly help visitors and tourists from these neighbouring states to feel at home in Goa during the Carnival as well as expose Goans to the cultures of other states, the question remains whether the Goan Carnival is the right place to showcase other cultures or whether the Goan Carnival should be limited to Goan food and culture alone.

What do you think ? Should the Goan Carnival 2013 include other neighbouring states as well ? Or should the Goan Carnival only showcase Goa’s unique cultural heritage ? 

Do let me know in the comments…

Photo Credit: Anoop Negi

Big Foot, Lutolim

More commonly known as Big Foot, ‘Ancestral Goa’ is a ‘Center for preservation of Art, Culture and Environment’ created by Maendra Jocelino Araujo Alvares and situated in the small village of Loutolim in South Goa. 

At the entrance, you see a bronze statue of a guard and an elaborate door and wall decoration. Once inside, you see that the uniqueness of Big Foot Lutolim lies in the fact that it is an open-air museum that recreates Goan rural life as it was hundreds of years ago.  You can choose to visit the art gallery, that showcases work done by local children and artisans, a handicraft centre with locally produced Goan artifacts, a restaurant, a cross, a spring, a bird habitat, a spice yard and much more. The model village also includes a variety of miniature houses showcasign the traditional occupation and social classes that existed a century ago – from fishermen, Goan artisans, farmers, liquors shops to village markets and even a feni distillery.

From the dream of Maendra Alvares to the major tourist attraction that it is today, Big Foot Lutolim has certainly come a long way since it opened in 1995. Today, not just tourists – both Indian and European – but artists, students, teachers, nature lovers, environmentalists and others are among the visitors. 

Maendra began Big Foot Lutolim with a barren hill covered with shrubbery and thorny bushes and it is quite amazing to see the metamorphosis into a world famous terraced and landscaped parkland. Although Maendra could have sold off the 9 acres of land to land developers and lived a life of luxury like many other Goans, he chose instead to invest precious time and money to create Big Foot Lutolim. His aim was to create a treasure-house of artifacts as well as recreate the traditions and culture of Goa for future generations to see and learn. In recognition, the Goan Government deemed Big Foot as the “Most Innovative and Unique Project in India’s Tourism Industry” while the Goan State Department of Education called it a “Very Educative Centre” for students.

Have you been to Big Foot Lutolim ? What was your favourite part of the open air museum ? Let me know in the comments…

Photo Credit: http://photos.igougo.com/images/p222622-Ancestral_Goa.jpg

Supporting Goan artisans

At my Mitaroy Heritage Homestay, Sustainability has always been an important part of our philosophy. We believe that as a business, it is important to give back to the community that we benefit so much from. 

And that is why we support this latest initiative by the Goa handicrafts, rural and small scale industries development corporation (GHRSSIDC) to support the local Goan artisans. 

Pottery and clay idol-making is a traditional Goan cottage industry and in order to motivate the traditional idol makers and ensure gainful employment to these artisans, the Goa handicrafts, rural and small scale industries development corporation (GHRSSIDC), an undertaking of the government of Goa has introduced a subsidy scheme in order to encourage this ancient art form. 

Under this scheme clay idols made by artisans registered with GHRSSIDC are subsidized to the extent of 100 per idol provided the idols are at least a foot high. The subsidy is given to the registered artisans after they submit their applications in the prescribed format at the GHRSSIDC office. 

Unfortunately, however, these idols must have a religious purpose i.e. only idols pertaining to religious festivals such as Ganesha idols for Ganesh Chathurthi or Infant Jesus idols for Christmas etc are supported by this initiative and idols made for decorative/aesthetic purposes are not covered under this scheme. 

Many of these idols and handicrafts are available at the local Government handicraft emporium “Aparant”, two of which are located within walking distance of my Mitaroy Heritage Homestay. We encourage our guests to visit these local Government handicraft emporiums, when they wish to purchase souvenirs to take back home with them. Not only do they get souvenirs that are of guaranteed quality, they are also doing their bit to support the livelihood of these artisans. 

Have you ever purchased an idol / handicraft from the Aparant Government handicraft emporium as a souvenir ? Do let me know in the comments…

Following the footprints of the Portuguese in Goa

Goa Velha sounds like a name from a fado, the famous Portuguese songs of sadness and melancholy. And indeed the state of Old Goa’s precious heritage today only adds to the melancholy. Little remains of the golden era of Portuguese colonial history when Goa as referred to as ‘Ilha Illustrissima ” because of its immense riches.

In 1510, Portuguese soldiers under the leadership of Alfonso de Albuquerque conquered the city on the banks of the Mandovi River. The Portuguese army was supported fervently by the local Hindu citizens who had suffered under the then Muslim ruler Adil Shah and who were hoping for a better life under the Portuguese.

After conquering Old Goa, the Portuguese proceeded to build what would become their most important commercial and trading center outside of Portugal. And with the Portuguese soldiers came the Portuguese missionaries, who proceeded to convert as many natives to Christianity as possible. From 1540 onwards, almost all Hindu temples were destroyed and replaced by churches. In addition, Goa was also the scene of one of the most brutal Inquisitions in the Portuguese empire. 

When in 1565, the seat of the Portuguese viceroy was transferred from Fort Cochin (Kerala) to Goa, Old Goa reached its zenith. Old Goa had upto 300 000 residents and it was even said that “Whosoever has seen Goa, need not see Lissabon”. 

Fast forward to today and most witnesses to the great power of the Portuguese rulers is all but gone. All that remains are some very impressive churches and Basilica. Thanks to some careful restoration of these houses of worship, the ‘Churches and Convents of Old Goa’ is now an important UNESCO World Heritage Site. It is the mingling of the sari and the dress, the mingling of modern Indian reality and the old Baroque and Renaissance buildings that forms such a stark contrast and attracts thousands and thousands of tourists, either in bus loads as part of a half day tour or those with backpacks and Lonely Planet’s in their hands. The women in their bright saris contrast against the dark panelled wooden doors of the Basilica and make for a great photograph. 

Old Goa has a number of Portuguese churches including the Sé Cathedral, reportedly the largest in Asia, the Basilica of Bom Jesus and the Church of St Cajetan. Most famous of all though is the Basilica of Bom Jesus, also known as the Church of St Francis Xavier and home to the sarcophagus of St. Francisco Xavier, the co-founder of the Jesuit order. He arrived in 1542 from Portugal and having spent a large portion of his life in Goa, finally died in China. But his body was discovered in such perfect condition that it was possible to bring his body back to Goa where it now lies. 

 Despite all its wealth, Old Goa ultimately had to surrender to its downfall. After several severe cholera epidemics (1534, 1543, 1635) had decimated the population massively (sanitary conditions were not as advanced as they are today), the seat of the Viceroy was moved to New Goa or Panaji in 1835. Most of the Portuguese families moved to the neighbourhood or Bairros de Fontainhas (home to the only fresh water fountain in Panaji) and built impressive bungalows in Portuguese style.  The last religious orders were asked to leave Old Goa and many impoverished locals tore down their houses and sold the building stones to feed their families, thereby further accelerating the decline of Old Goa. 

Although 450 years had passed from the first conquest of Goa until Goa’s independence, the withdrawal of the Portuguese from India in 1961 took a mere 48 hours. Such was the resistance of the local populace that all the Portuguese statutes were demounted and brought to safety. Today, the statue of Alfonso de Albuquerque stands at the entrance of the archaeological museum in Goa Velha, an hommage to the glorious yet turbulent history of this region.